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10 Disadvantages Of Islamic Calligraphy Prints And How You Can Workaround It | islamic calligraphy prints

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Islamic Canvas Art Gallery Print by Bin Qulander (The First and ... - islamic calligraphy prints

Islamic Canvas Art Gallery Print by Bin Qulander (The First and … – islamic calligraphy prints | islamic calligraphy prints

NEW DELHI: Delhi-based calligrapher Mohammad Zubair says he counts himself amid the aftermost few artists in the burghal who convenance the centuries-old art of adorning autography in an era in which keystrokes and smartphones are allegorical the future.

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Zubair, 36, who has been practising calligraphy for the accomplished about 20 years, admits that the association has to embrace technology to move advanced but asserts “computers will never be able to bout the capabilities of calligraphers”.

“This iconic art anatomy saw its heyday alike till 1980, until aback computers arrived. Calligraphers were beforehand active by government agencies, borough bodies to architecture boards and signages, but with technology, our adept prints are aloof taken on a CD and again replicated,” he told PTI.

“So, the balance alone significantly, as artists were actuality paid aloof for a age-old project. And, sometimes, audience aloof download prints from computers and book them. Calligraphy is not actuality patronised as it should be. Our adolescence should advice this art anatomy survive,” Zubair rued.

Seeking to advance calligraphy amid academy children, Delhi-based Indian Civic Trust for Art and Cultural Ancestry (INTACH) organised a two-day branch for over 100 acceptance fatigued from 30 schools in Delhi and neighbouring cities, which concluded Friday.

Zubair, accomplished in this art from the Delhi Urdu Academy and currently an adviser at a Civic Council for Promotion of Urdu Language (NCPUL) centre in east Delhi, was roped in by INTACH to advance the workshop.

According to him, abounding acceptance did not apperceive about calligraphy and some knew about English one but not those done in Urdu or Arabic.

“But, they were so absorbed that abounding told me that they ambition to apprentice it over and aloft their approved studies. If adolescence like them, can accept the amount of our adored heritage, calligraphy will thrive, forth with technology,” he said.

At the workshop, acceptance abstruse to authority the bamboo ‘kalam’ (wooden pen) and were accomplished to address Dilli-dur-ast, a acclaimed adduce of acclaimed Sufi saint Nizamuddin Auliya.

Instruction material, forth with ‘kalam’, was additionally broadcast to them afterwards the event.

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Calligraphy or the art of adorning autography in India dates aback to the age-old era aback Sanskrit manuscripts were actuality accounting and ornamentally illustrated, and again in Mughal era, it thrived with the advocacy of the rulers, for Urdu, Arabic and Persian calligraphies, with abounding such old texts now a civic treasure.

Rajeev Kumar, 50, addition Delhi-based calligrapher and an engineer-turned-graphic designer, who writes in 11 scripts including Tamil, Telugu and Gurumukhi (Punjabi), besides English and Hindi, however, feels “calligraphy charge not abhorrence technology”.

“Calligraphy and typography acclimated for chantry designing in computer can co-exist actual harmoniously. For accumulation production, calligraphy cannot be the appropriate option, we charge typographic technology to accommodated that logistical demand,” said Kumar, who has been practising calligraphy for the aftermost 25 years.

Both Zubair and Kumar rued that in India, alike acclaimed art and architecture educational institutions “do not have, alike an alternative advance on calligraphy”.

“We can’t action technology, and so the alone way to booty this art to the abutting bearing is through the approach of education. Our acceptance don’t apperceive what are they losing, so how will they act on it. Also, already they accept baffled the aboriginal art, they will do wonders with technology too,” Zubair said.

NIFT-Patna Director Sanjay Shrivastava emphasised that calligraphy is country’s “priceless heritage” and needs to be preserved through convenance and added means.

Asked, if there was any advance at the academy on this art form, he said, “Students are apparent to it as allotment of appearance communications course, but, no there’s no committed advance or constituent on it.”

Brand action able and visiting adroitness at the Indian Institute of Accumulation Communication (IIMC) here, Ramesh Tahiliani, said calligraphy is actual abundant animate in the age of agenda era, and accepting abstruse purposes for its use, allows to “keep its exclusivity”.

“So, be it appropriate weddings cards or certificates of abounding institutions or logos of assorted brands, abnormally some of the affluence brands, calligraphy finds its abode and accent and absorbing appeal, which it would not accept if the calibration of assembly was large,” he told PTI.

Bahrain-based Asgharali Perfumes, founded in 1924, uses a lot of calligraphic art on it artist bottles and promotional material.

“Our aggregation focusses a lot on artful address and calligraphy has that charm,” an official from its business administration said. Airlines like Etihad and Emirates use stylised Arabic and accept a aerial anamnesis value.

Search behemothic Google’s logo is based on the calligraphy-inspired font, Catull BQ, according to artistic belvedere 99designs.com.

Zubair, who writes in bristles languages — Urdu, Arabic, Persian, English Hindi and Punjabi, said calligraphy is not about aloof techniques, but additionally bigger intricacies, like the slant, the admeasurement of ‘nuqta’ (dot) and area to apply burden and area to go chargeless hand.

“If you do abnormal ‘nuqta’, ‘khuda’ can become ‘juda’,” he says with a smile.

“Irrespective of the approaching that holds for it, I accept absitively to accomplish my son a calligrapher too. I am actual appreciative of this heritage,” he said.

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